Melbourne Symphony Chief Out After Musicians’ No-Confidence Vote


The Melbourne Symphony Orchestra (MSO) has announced the appointment of Peter Garrett, musician and former Federal Arts Minister, to lead an independent external review of the organisation.

This decision follows recent controversy surrounding the cancellation of a concert featuring pianist Jayson Gillham.

2. Peter Garrett Photo credit Kane Hibberd scaled 1

Peter Garrett. Photo © Kane Hibberd

Garrett, a prominent figure in both the music world and Australian politics, will spearhead the review with the support of professional services firm KPMG Australia. The focus of the review will be on evaluating the MSO’s policies, particularly concerning freedom of speech and artistic expression on stage, to ensure that they are aligned with the orchestra’s prominent role within the community.

In a statement, the MSO Board emphasised the urgency of the review: “We are determined to shape our future, and that work starts today. We want to ensure protocols are in place that are fit for purpose for an organisation of the MSO’s profile and the role it plays within the community.”

The Board expressed confidence that Garrett’s leadership in this review would help restore public trust and ensure that the MSO continues to offer world-class cultural experiences.

Sophie Galaise

Sophie Galaise. Photo courtesy of the Melbourne Symphony Orchestra

As part of this restructuring, the MSO has also announced the departure of Managing Director Sophie Galaise. To guide the orchestra through this transitional period, the Board has appointed New Zealand-born Richard Wigley, an experienced orchestral leader, as the new strategic advisor. Wigley will take immediate charge of the management team, bringing with him extensive experience from his previous roles with the BBC Philharmonic Orchestra and the Ulster Orchestra.

The Board acknowledged the challenges the MSO has faced in recent weeks and expressed gratitude for Galaise’s eight years of service.

“We want to acknowledge Sophie’s contribution over the past eight years at the MSO and thank her for her dedication to the organisation,” the statement read. The Board also praised Wigley’s qualifications, noting that his “deep experience in music and from leadership roles positions him perfectly for this role.”

Earlier this month, musicians of the MSO delivered a vote of no confidence in its management and called for both Galaise and Chief Operating Officer Guy Ross in the wake of the orchestra’s decision to cancel Gillham’s appearances with the orchestra.

In response to his appointment, Garrett remarked on the significance of the review, stating, “Performing arts organisations are facing complex issues around freedom of expression whilst maintaining long-term sustainability in a dynamic and increasingly highly charged environment.”

He added that the review could serve as a model for other organisations facing similar challenges.

Wigley also expressed his commitment to guiding the MSO through this period, highlighting the orchestra’s “remarkable artistic strength” and his confidence in its ability to emerge stronger from these challenges.

The MSO Board has committed to transparency throughout the review process and plans to share high-level findings with the public once they are finalised.

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